Changelog • Changed name of Fallen Hero without head to 'Headless Fallen Hero' to make it more clear that this is intended behavior. • Fixed rare issue with fresh undead becoming untargetable during the Undead Scourge endgame crisis. • Fixed initiative penalty due to waiting not being applied correctly. • Fixed Necrosavants not dropping Shimmering Ashes. • Fixed 'Horrific Scream' of Geists being subject to height level restrictions. • Fixed potentially wrong reward amount mentioned in one of the 'Drive Away Bandits' texts.

• Fixed Black Monolith being selected in one of the 'Find Artifact' twists as the new target. • Fixed AI sometimes being confused on swamp terrain. • Fixed incorrect tooltip hint for muddy ground and plashy grass on swamp terrain. • Fixed 'Split Hand' injury not being affected by 'Hold Out' perk. • Fixed news about conquered settlements in the noble war crisis sometimes arriving too late and preventing other events from firing. • Fixed various minor issues.

19 October The Lindwurm DLC has just been released to every current and future owner of Battle Brothers for free. Challenge your mercenary company against a fearsome Lindwurm, an adversary of legend, home to the wild parts of the world and fiercely defending its hoard of treasure! Read all about the content of this free DLC in the accompanying dev blog. It’s not necessary to start a new campaign in order for any of the additions to appear in your game. Alongside the DLC, the game has also been updated to version 1.1.0.5 with a couple of bugfixes that we’ve collected over the past few weeks.

Changelog • Fixed game potentially freezing after combat ends under specific conditions. • Fixed 'Reset Equipment After Battle' option not working properly for specific combinations of equipment. • Fixed damage bonus from eating mushrooms not being displayed properly in some skill tooltips.

• Fixed tooltip from a necromancer that himself has been raised from the dead not showing properly. • Fixed damage inflicted to a Direwolf's natural armor not being displayed in the combat log. • Fixed various minor issues. What's in the Supporter Edition? For those of you who really want to support us for developing this game, and in developing further games, we also offer the Supporter Edition.

Like the Deluxe Edition, this includes both the game itself and the soundtrack. In addition, you get a digital art and lore book with a lot of background info about the game, its art and its creation, as well as our very first legendary item in the game, complete with a look of its own and a unique background story: Fangshire. About This Game Battle Brothers is a turn based tactical RPG which has you leading a mercenary company in a gritty, low-power, medieval fantasy world.

You decide where to go, whom to hire or to fight, what contracts to take and how to train and equip your men in a procedurally generated open world campaign. Do you have what it takes to lead them through bloody battles and to victory? The game consists of a strategic worldmap and a tactical combat layer.

On the worldmap you can freely travel in order to take contracts that earn you good coin, find places worth looting, enemies worth pursuing or towns to resupply and hire men. This is also where you manage, level up and equip your Battle Brothers. Once you engage a hostile party the game will switch to a tactical map where the actual fighting takes place as detailed turn based combat.

Download Band of Brothers to your device. QueenTorrent - Discover new TV Series tv series & tv shows / Band of Brothers by browsing popular and trending lists tv show, series, episodes.

• Manage a medieval mercenary company in a procedurally generated open world. • Fight complex turn-based tactical battles with historical equipment and brutal injuries. • Permadeath. All characters that die in combat will stay dead – unless they return as the undead. • All characters come with their own background stories and traits. Want a stuttering ratcatcher, a greedy witch hunter or a drunkard disowned noble? • Character development without a restrictive class-system.

Each character gains experience through combat, can level up and acquire powerful perks. • Equipment that matters. Different weapons grant unique skills – split shields with axes, stun enemies with maces, form a spearwall with spears or crush armor with a warhammer. • Diverse enemy roster.

All enemies have unique equipment, skills and AI behavior. • A dynamic event system with atmospheric encounters and tough decisions outside of combat. • Three late game crises – a war between noble houses, a greenskin invasion and an undead scourge – add a looming threat. • Two full hours of orchestral soundtrack. • 70 Steam Achievements and Steam Trading Cards.

Overhype Studios is an independent game developer studio from Hamburg, Germany. We are devoted to making great games that we want to play ourselves. With Battle Brothers we thrive to reflect the creativity, complexity and originality from the old days when game developers where passionate gamers, not corporate businessmen. While doing this we took a lot of inspiration from some of best games out there: The original X-Com, Warhammer: Shadow of the Horned Rat, Mount & Blade and Jagged Alliance.

• • Website Members • • • • • Radiohead are an English band from, formed in 1985. The band consists of (vocals, guitar, piano, keyboards), (guitar, backing vocals), (drums, percussion, backing vocals), and brothers (lead guitar, keyboards, other instruments) and (bass). They have worked with producer and cover artist since 1994. After signing to in 1991, Radiohead released their debut single ' in 1992. It became a worldwide hit after the release of their debut album, (1993).

Their popularity and critical standing rose in the United Kingdom with the release of their second album, (1995). Radiohead's third album, (1997), propelled them to international fame; noted for its complex production and themes of, it is often acclaimed as a landmark record of the 1990s and one of the best albums in popular music. The group's next albums (2000) and (2001), recorded simultaneously, marked a dramatic change in style, incorporating influences from experimental,,, and. Kid A divided listeners but was named the best album of the decade by, and the. Radiohead's sixth album, (2003), mixed rock and electronic music with lyrics inspired by the, and was the band's final album for EMI.

Their subsequent releases have pioneered alternative release platforms such as and; Radiohead self-released their seventh album, (2007), as a for which customers could set their own price, to critical and chart success. Their eighth album, (2011), an exploration of rhythm, was developed using extensive and. (2016) prominently featured Jonny Greenwood's. Radiohead had sold more than 30 million albums worldwide by 2011. Their work places highly in both listener polls and critics' lists of the best music of the 1990s and 2000s.

In 2005, they were ranked 73rd in s list of 'The Greatest Artists of All Time'; Jonny Greenwood (48th ) and O'Brien (59th) were both included in Rolling Stone 's list of greatest guitarists, and Yorke (66th ) in their list of greatest singers. In 2009, Rolling Stone readers voted the group the second-best artist of the 2000s. In 2017, they were nominated for induction into the, in their first year of eligibility. Abingdon School, where the band formed The members of Radiohead met while attending, an independent school for boys in.

Guitarist and singer and bassist were in the same year, guitarist and drummer the year above, and multi-instrumentalist, brother of Colin, two years below. In 1985, they formed On a Friday, the name referring to the band's usual rehearsal day in the school's music room. Jonny was the last to join, first on harmonica and then keyboards, but soon became the lead guitarist; he had previously been in another band, Illiterate Hands, with musician and Yorke's brother. According to Colin, the band members picked their respective instruments because they wanted to play music together, rather than through an interest in the particular instrument: 'It was more of a collective angle, and if you could contribute by having someone else play your instrument, then that was really cool.' At one point, On a Friday featured a saxophone section.

The band disliked the school's strict atmosphere—the headmaster once charged the band for using a rehearsal room on a Sunday—and found solace in the school's music department. They credited their music teacher for introducing them to,, postwar, and. Oxfordshire and the had an active scene in the late 1980s, but it centred on bands such as and. Advertisement placed in Oxford music magazine Curfew (now ) announcing On a Friday's change of name Although all but Jonny had left Abingdon by 1987 to attend university, On a Friday continued to rehearse on weekends and holidays.

At the, Yorke played with the band, performing songs including future Radiohead material, and met artist, who would later create artwork for the band. In 1991, On a Friday regrouped, sharing a house on the corner of Magdalen Road and Ridgefield Road, Oxford. As On a Friday continued to perform in Oxford, including more performances at the Jericho Tavern, record labels and producers became interested., Slowdive's producer and co-owner of Oxford's Courtyard Studios, attended an early On a Friday concert at the Jericho Tavern. Impressed, he and his partner Bryce Edge produced a demo tape and became On a Friday's managers; they remain Radiohead's managers today. Sam Smith Lay Me Down Free Download Mp3. In late 1991, after a chance meeting between Colin and representative Keith Wozencroft at, the record shop where Colin worked, On a Friday band signed a six-album recording contract with EMI.

At the label's request, the band changed their name; 'Radiohead' was taken from the song 'Radio Head' on the album (1986). 1992–1994: 'Creep', Pablo Honey and early success Radiohead recorded their debut release, the, with Chris Hufford and Bryce Edge at Courtyard Studios.

Released in May 1992, its chart performance was poor. The band enlisted and, who had worked with US indie bands and, to their debut album, recorded quickly in an Oxford studio in 1992. With the release of the ' single later that year, Radiohead began to receive attention in the British music press, not all of it favourable; described them as 'a lily-livered excuse for a rock band', and 'Creep' was blacklisted by because it was deemed 'too depressing'.

Radiohead released their debut album,, in February 1993. It stalled at number 22 in the UK charts, as 'Creep' and its follow-up singles ' and ' failed to become hits. ', a non-album single, also sold poorly.

Some critics compared the band's early style to the wave of music popular in the early 1990s, dubbing them '-lite', and Pablo Honey failed to make a critical or a commercial splash upon its initial release. Despite shared influences with popular guitar acts, and some notice for Yorke's, Radiohead toured only British universities and clubs. 'Creep' was Radiohead's first hit. This sample features Jonny Greenwood's before the chorus. According to legend, the effects were an attempt to sabotage a song Greenwood initially disliked. Problems playing this file? In early 1993, Radiohead began to attract listeners elsewhere.

'Creep' had been played frequently on radio by influential DJ, and in March, after the song became a hit in that country, Radiohead were invited to for their first live gig overseas. Around the same time, the San Francisco alternative radio station added 'Creep' to its playlist. Soon other radio stations along the west coast of the United States followed suit. By the time Radiohead began their first North American tour in June 1993, the music video for 'Creep' was in heavy rotation on MTV. The song rose to number two on the US chart, entered the lower reaches of the pop chart, and hit number seven in the when EMI rereleased it in the UK in September. Unexpected attention for the single in the US prompted EMI to improvise new promotional plans, and the band shuttled back and forth between continents, playing more than 150 concerts in 1993.

Radiohead nearly broke up due to the pressure of sudden success as the Pablo Honey supporting tour extended into its second year. The band members described the tour as difficult to adjust to, saying that towards its end they were 'still playing the same songs that [they had] recorded two years previously. Like being held in a time warp', when they were eager to work on new songs. 1994–1995: The Bends, critical recognition and growing fanbase Radiohead began work on their second album in 1994, hiring veteran producer. Tensions were high, with mounting expectations to deliver a follow-up to match the success of 'Creep'. Recording felt unnatural in the studio, with the band having over-rehearsed the material.

Seeking a change of scenery, they toured the Far East, and Mexico and found greater confidence performing their new music live. However, troubled by the fame he had achieved, Yorke became disillusioned with being 'at the sharp end of the sexy, sassy, MTV eye-candy lifestyle' he felt he was helping to sell to the world.

The EP and single, released in 1994, was Radiohead's reaction, marking a transition towards the greater depth they aimed for on their second album. It was their first time working with their future producer, then working under Leckie as an. It was also Radiohead's first collaboration with artist, who has produced all of their artwork since. Promoted through alternative radio stations, My Iron Lung's sales were better than expected, and suggested for the first time that the band had found a loyal fanbase and were not. Having introduced more new songs on tour, Radiohead finished recording their second album by year's end, and released in March 1995. The album was driven by dense riffs and ethereal atmospheres from the band's three guitarists, with greater use of keyboards than their debut. It received stronger reviews for its songwriting and performances.

While Radiohead were seen as outsiders to the scene that dominated media attention at the time, they were finally successful in their home country with The Bends, as singles ', ', ', and ' made their way to UK chart success; the latter song placed Radiohead in the top five for the first time. In 1995, Radiohead again toured North America and Europe, this time in support of, one of their formative influences and at the time one of the biggest rock bands in the world. The buzz generated by such famous fans as R.E.M singer, along with distinctive music videos for 'Just' and 'Street Spirit', helped to sustain Radiohead's popularity outside the UK. 'High and Dry' became a modest hit, but Radiohead's growing fanbase was insufficient to repeat the worldwide success of 'Creep'. The Bends peaked at No. 88 on the US album charts, which remains Radiohead's lowest showing there. Nonetheless, Radiohead were satisfied with the album's reception.

Jonny Greenwood later said: 'I think the turning point for us came about nine or twelve months after The Bends was released and it started appearing in people's [best of] polls for the end of the year. That's when it started to feel like we made the right choice about being a band.' In later years, The Bends appeared in many publications' lists of the best albums of all time, including 2012 edition of the at No. 1995–1998: OK Computer and critical acclaim By late 1995, Radiohead had already recorded one song that would appear on their next record. ', released as a single to promote the charity's, was recorded in a brief session with Nigel Godrich, the young audio engineer who had assisted on The Bends and produced a 1996, '. The band decided to self-produce their next album with Godrich, and began work in early 1996.

By July they had recorded four songs at their rehearsal studio, Canned Applause, a converted apple shed in the countryside near, Oxfordshire. Bath, where Radiohead recorded OK Computer. In August 1996, Radiohead toured as the opening act for. They resumed recording not at a studio but at, a 15th-century mansion near.

The sessions were relaxed, with the band playing at all hours of the day, recording in different rooms, and listening to the,, and for inspiration. Radiohead released their third album,, in June 1997. The album found the band experimenting with song structures and incorporating, and influences, prompting to call the album a 'stunning art-rock tour de force'. Radiohead denied being part of the genre, but critics began to compare their work to, a band whose early 1970s work influenced Greenwood's guitar parts at the time. Some compared OK Computer thematically to Floyd's bestseller (1973), although Yorke said the album's lyrics had been inspired by observing the 'speed' of the world in the 1990s. Yorke's lyrics, embodying different characters, had expressed what one magazine called 'end-of-the-millennium blues' in contrast to the more personal songs of The Bends. According to journalist, the band had become 'the poster boys for a certain kind of knowing alienation—as the Talking Heads and R.E.M.

Had been before.' OK Computer met with critical acclaim. Yorke said he was 'amazed it got the reaction it did. None of us fucking knew any more whether it was good or bad. What really blew my head off was the fact that people got all the things, all the textures and the sounds and the atmospheres we were trying to create.' 'Paranoid Android' is a three-part song, mixing acoustic guitars, abrasive electric solos and layered choirs.

The first single from OK Computer, it marks Radiohead's UK singles chart peak (number three). Problems playing this file? OK Computer was the band's first number-one UK chart debut, propelling them to commercial success around the world. Despite peaking at number 21 in the, the album eventually met with mainstream recognition there, earning Radiohead their first recognition, winning and a nomination for. ', ' and ' were released as singles from the album, of which 'Karma Police' was most successful internationally. OK Computer went on to become a staple of 'best-of' British album lists. In the same year, Radiohead became one of the first bands in the world to have a website, and developed a devoted online following; within a few years, there were dozens of fan sites devoted to the band.

The release of OK Computer was followed by the year-long 'Against Demons' world tour, including Radiohead's first headline performance in 1997. Despite technical problems that almost caused Yorke to abandon the stage, the performance was acclaimed and cemented Radiohead as a major live act., the director of the 'No Surprises' video, filmed the band on tour for the 1999 documentary. The film portrays the band's disaffection with the music industry and press, showing their over the course of the tour. 1998–2002: Kid A, Amnesiac and change in sound.

Jonny Greenwood has used a variety of instruments, such as this, in live concerts and recordings. Radiohead were largely inactive following their 1997–1998 tour; after its end, their only public performance in 1998 was at an concert in Paris. During the period the band came close to splitting up, and Yorke developed severe depression. In early 1999, Radiohead began work on their next album. Although the success of OK Computer meant there was no longer any pressure or a deadline from their record label, tension was high.

Band members had different visions for Radiohead's future, and Yorke experienced, influencing him toward more abstract, fragmented songwriting. Radiohead secluded themselves with producer Nigel Godrich in studios in Paris,, and, and in their newly completed studio in. Eventually, the members agreed on a new musical direction, redefining their instrumental roles. After nearly 18 months, Radiohead's recording sessions were completed in April 2000.

In October 2000 Radiohead released their fourth album,, the first of two albums from these recording sessions. A departure from OK Computer, Kid A featured a and textured style with more diverse instrumentation, including the, programmed beats,, and jazz horns. It debuted at number one in many countries, including the US, where its debut atop the chart marked a first for the band, and the first US number one album by any UK act since the in 1996. This success was attributed variously to marketing, to the album's leak on the file-sharing network a few months before its release, and to advance anticipation based, in part, on the success of OK Computer.

Although Radiohead did not release any singles from Kid A, of 'Optimistic' and ' received radio play, and a series of ', or short videos set to portions of tracks, were played on music channels and released freely on the internet. The band had read 's book during the recording, and decided to continue a summer 2000 tour of Europe later in the year in a custom-built tent free of advertising; they also promoted Kid A with three sold-out North American theatre concerts.

The opening track from Radiohead's fourth album, this song emphasises the band's increasing use of and distortions of Thom Yorke's vocals. Problems playing this file?

Kid A received a for and a nomination for in early 2001. It won both praise and criticism in circles for appropriating styles of music; some mainstream British critics saw Kid A as a 'commercial suicide note', labelling it 'intentionally difficult' and longing for a return to the band's earlier style. Radiohead's fans were similarly divided; along with those who were appalled or mystified, there were many who saw the album as the band's best work. Yorke, however, denied that Radiohead had set out to eschew commercial expectations, saying: 'I was really, really amazed at how badly [ Kid A] was being viewed. Because the music's not that hard to grasp. We're not trying to be difficult.

We're actually trying to communicate but somewhere along the line, we just seemed to piss off a lot of people. What we're doing isn't that radical.' The album has since been ranked one of the best of all time by publications including and Rolling Stone;, the and Rolling Stone named it the best album of the decade. Radiohead's fifth album,, was released in June 2001. It comprised additional tracks from the Kid A recording sessions, plus one track recorded after Kid A's release, 'Life in a Glasshouse', featuring the. Radiohead stressed that they saw Amnesiac not as a collection of B-sides or 'leftovers' from Kid A but an album in its own right.

It topped the and reached number two in the US, being nominated for a Grammy Award and the. Radiohead embarked on a world tour, visiting North America, Europe and Japan. ' and ', Radiohead's first singles since 1998, were modestly successful. A live album,, released in November 2001, features performances of seven songs from Kid A and Amnesiac, and the previously acoustic track '. 2002–2004: Hail to the Thief and departure from EMI.

An up-tempo, guitar-driven album opener, '2 + 2 = 5' heralded Radiohead's return to a more straightforward style that still included electronic elements. Problems playing this file? In July and August 2002, Radiohead toured Portugal and Spain, playing a number of new songs. They and Godrich recorded most of the material in two weeks at in Los Angeles, with the rest of the album recorded in Oxford into the next year.

The band described the recording process as relaxed, in contrast to the tense sessions for Kid A and Amnesiac. Radiohead's sixth album,, was released in June 2003, combining guitar rock with electronic music. Its lyrics were influenced by what Yorke called 'the general sense of ignorance and intolerance and panic and stupidity' following the 2000 election of US President. The album was promoted with a website, radiohead.tv, where short films, music videos and live webcasts from the studio were streamed at scheduled times.

Hail to the Thief debuted at number one in the UK and number three on the Billboard chart, and was eventually certified in the UK and in the US. The singles ', ' and ' achieved heavy circulation on radio. At the 2003 Grammy Awards, Radiohead were again nominated for, and producer Godrich and engineer Darrell Thorp received the. In May 2003, Radiohead embarked on a world tour and headlined for the second time. The tour finished in May 2004 with a performance at the in California. A compilation of Hail to the Thief B-sides, remixes and live performances,, was released in April 2004.

Radiohead's six-album record contract with EMI ended with the release of Hail to the Thief. In 2005, Yorke told: 'I like the people at our record company, but the time is at hand when you have to ask why anyone needs one. And, yes, it probably would give us some perverse pleasure to say 'Fuck you' to this decaying business model.'

In 2006, the New York Times described Radiohead as 'by far the world's most popular unsigned band'. 2004–2009: Solo work, In Rainbows and 'pay what you want'. Radiohead at the 2004 Following the Hail to the Thief tour, Radiohead went on hiatus to spend time with their families and work on side projects. Yorke and Jonny Greenwood contributed to the single ', produced by Godrich. Greenwood composed soundtracks for the films (2004) and (2007); the latter was the first of several collaborations between Greenwood and director.

In July 2006, Yorke released his debut solo album,, comprising mainly electronic music. He told Pitchfork: 'I've been in the band since we left school and never dared do anything on my own. It was like, 'Man, I've got to find out what it feels like,' you know?' Radiohead began work on their seventh album in February 2005 with no record label. In an effort to 'get out of the comfort zone', they decided against involving producer Godrich, with whom they had recorded five albums, and hired producer.

The collaboration with Stent was unsuccessful and ended in April 2006. In September 2005, Radiohead contributed 'I Want None of This', a piano, for the charity album. The album was sold online, with 'I Want None of This' the most downloaded track, though it was not released as a single. In late 2006, after touring Europe and North America with new material, the band re-enlisted Godrich and resumed work in London, Oxford and rural, England. Recording ended in June 2007 and the recordings were mastered the following month. Yorke with Radiohead in Barcelona in 2008 Radiohead's seventh album,, was released through the band's website in October 2007 as a for any amount users wanted, including £0—a landmark use of the model for music sales.

The pay-what-you-want release, the first for a major act, made headlines worldwide and sparked debate about the implications for the music industry. According to, the release was 'hailed as a revolution in the way major bands sell their music', and the media's reaction was 'almost overwhelmingly positive'; Time called it 'easily the most important release in the recent history of the music business'. The release drew criticism from musicians including and, who felt the release undercut less successful acts. 1.2 million downloads were reportedly sold by the day of release, but the band's management did not release official sales figures, claiming that the internet-only distribution was intended to boost later retail sales.

Colin Greenwood explained the internet release as a way of avoiding the 'regulated playlists' and 'straitened formats' of radio and TV, ensuring fans around the world could all experience the music at the same time, and preventing leaks in advance of a physical release. O'Brien said the self-release strategy sold fewer records, but made more money for the band as there was no middleman. A special 'discbox' edition of In Rainbows, containing the record on vinyl, a hardcover book of artwork, and a second CD of extra songs, was also sold from Radiohead's website and shipped in late 2007. In Rainbows was released physically in the UK in late December 2007 on and in North America in January 2008 on, charting at number one both in the UK and in the US. The record's retail success in the US – after having been legally available for months as a free download – was Radiohead's highest chart success in that country since Kid A. It became their fifth UK number-one album and sold more than three million copies in one year. The album received critical acclaim for its more accessible sound and personal lyrics.

It was nominated for the short list of the and went on to win the 2009. Their production team won the Grammy for Best Boxed or Special Limited Edition Package, while Radiohead received their third nomination for. Along with three other nominations for the band, Godrich's production and the ' music video also received nominations. Yorke and Jonny Greenwood performed '15 Step' with the at the televised award show. Radiohead released a number of singles from In Rainbows: ' in January 2008, followed by ', which debuted at number 37 in the, Radiohead's first song to make that chart since 1995's 'High and Dry' and their first top 40 hit in the US since 'Creep'.

In July they released a digitally shot video for 'House of Cards'. 'House of Cards', along with ', also received a single release on radio. In September the band announced a fourth single, ', and a competition similar to one organised for 'Nude'. In April 2008, Radiohead launched W.A.S.T.E.

Central, a for Radiohead fans. In May, broadcast, a special episode of the music television show in which Radiohead performed songs from In Rainbows. It was released on in June. In June 2008, EMI released a album,. It was made without Radiohead's input and only contains songs released under their recording contract with EMI. Yorke was critical of the release, saying: 'There's nothing we can do about it.

The work is really public property now anyway, in my head at least. It's a wasted opportunity in that if we'd been behind it, and we wanted to do it, then it might have been good.' In August 2008, EMI 'special editions' of Radiohead's back catalogue as part of its 'From the Capitol Vaults' series. From mid-2008 to early 2009, Radiohead toured North America, Europe, Japan and South America to promote In Rainbows, and headlined the in August 2009. 2009–2012: The King of Limbs, two drummers and Toronto stage collapse As began to expand around the turn of the decade, Radiohead gradually withdrew their public presence, with no promotional interviews or tours to promote new releases.

Pitchfork wrote that around this time 'their popularity became increasingly untethered from the typical formalities of record promotion, placing them on the same level as and.' In May 2009, Radiohead began new recording sessions with Godrich. In August, they released ', a tribute song to, the last surviving British soldier to have fought in, with proceeds donated to the. The song has no conventional rock instrumentation, and instead comprises Yorke's vocals and a string arrangement composed by Jonny Greenwood. Later that month, another new song, ', was leaked via, possibly by Radiohead themselves.

The song features -like drumming and guitars, and was released as a free download on the Radiohead website the following week. Commentators saw the releases as part of Radiohead's new unpredictable release strategy, without the need for traditional marketing campaigns. That year, Yorke formed a new band to perform The Eraser live,, with musicians including Godrich and bassist; the band played eight North American shows in 2010. In January 2010, Radiohead played their only full concert of the year in the Los Angeles as a benefit for. Tickets were auctioned, raising over half a million US dollars for the NGO's relief. In June, Yorke and Jonny Greenwood performed a surprise set at, performing Eraser and Radiohead songs.

On 30 August, Selway released his debut solo album,. In September 2010, Radiohead released the of their 2009 Prague performance for use in a concert video,. In December, a fan-made video of Radiohead's Oxfam benefit performance,, was released via YouTube and torrent with Radiohead's support and a 'pay-what-you-want' link to donate to Oxfam. The videos were described as examples of the band's openness to fans and positivity toward non-commercial internet distribution. Radiohead performing in 2012 After the King of Limbs tour, during which the band performed, Radiohead entered hiatus again and the members worked on side projects.

In February 2013, Yorke and Godrich's band Atoms for Peace released a studio album,. The pair made headlines that year for their criticism of the free service, which they believe cannot support new artists; Yorke accused Spotify of only benefiting major labels with large back catalogues, and encouraged artists to build their own 'direct connections' with audiences instead. On 11 February 2014, Radiohead released the Polyfauna app for and phones, an 'experimental collaboration' with the British studio Universal Everything, using musical elements and imagery from The King of Limbs. Yorke and Selway released their respective second solo albums, and, on 26 September and 7 October 2014. Jonny Greenwood scored his third film for Paul Thomas Anderson,, released in October 2014; it features a new version of an unreleased Radiohead song, 'Spooks', performed by Greenwood and two members of. In May 2015, Yorke contributed a soundtrack, Subterranea, to The Panic Office, an installation of Radiohead artwork in Sydney, Australia. In November 2015,, a collaboration between Greenwood, Israeli composer and Indian musicians, engineered and mixed by Godrich, was released.

It was accompanied by a name directed by Anderson. 2014–present: A Moon Shaped Pool and OK Computer OKNOTOK 1997 2017 Radiohead began work on their ninth studio album in September 2014, joined again by Godrich.

In 2015 they resumed work in the La Fabrique studio near, France. The sessions were marred by the death of Godrich's father, and Yorke's separation from his wife,, who died of cancer several months after the album's completion. Recording was interrupted when the band were commissioned to write the theme for the 2015 film. They submitted ', an unreleased song written in the 1990s, but this was rejected as it had not been written for the film; among other reasons, it would have been ineligible for the.

Their second submission, ', a 'brooding' orchestral song, was rejected for being 'too dark'. Radiohead released 'Spectre' on Christmas Day 2015 on the audio streaming site. On 1 May 2016, Radiohead deleted all content from their website and social media profiles and replaced them with blank images, a move Pitchfork interpreted as symbolic of the band's re-emergence. Radiohead released ', the lead single from their forthcoming album, as a download on 3 May, accompanied by a music video.

In the same week, Radiohead released another download single, ', accompanied by a music video directed by Paul Thomas Anderson; the video was screened in in select cinemas. Radiohead's ninth studio album,, was released on 8 May 2016 on Radiohead's website and online music stores.

It was followed by physical versions on 17 June via XL Recordings. It includes several songs written some years earlier, including ' (which dates to at least 1995), along with strings and performed by the and additional percussion from Deamer.

The album was simultaneously released on paid streaming services including and, but was not released on Spotify, a free service, until 17 June, six weeks later. Spotify had been in 'advanced discussions' with Radiohead's management and label to make A Moon Shaped Pool the first album available exclusively to Spotify's paying subscribers, but the deal fell through, according to Spotify, due to technical hurdles. In Rainbows, the only other Radiohead album not previously available on Spotify, was added on 10 June. A Moon Shaped Pool was Radiohead's sixth UK number-one album; it was certified in the UK on 24 June 2016, and became a bestseller on vinyl. It was the fifth Radiohead album to be nominated for the, making Radiohead the most shortlisted act in the award's history, and was nominated for and (for 'Burn the Witch') at the. It appeared on several publications' lists of the best albums of the year.

Radiohead performing on the 2016 Moon Shaped Pool tour A Moon Shaped Pool was promoted with events held in participating record shops around the world, featuring a 'day-long' audio stream, including playlists curated by Radiohead and a recording of their recent performance at the London, along with competitions, artwork, and other activities. A participating shop in closed after an attack by a gang angered by customers drinking beer and playing music during, the Muslim holy month of fast; Radiohead released a statement condemning the attacks and offering 'love and support' to Istanbul fans. From May to October 2016, Radiohead toured Europe, North America, and Japan in support of A Moon Shaped Pool, joined again by Deamer. They began a second US tour in March 2017, culminating in a headline slot at the April 2017 festival in California. A European tour followed in June and July with several festival shows, including Radiohead's third headline performance at the. In July, Radiohead relaunched with recordings of recent live performances. The Moon Shaped Pool tour drew criticism for its inclusion of a date in Tel Aviv on 19 July, disregarding the campaign for an international cultural.

Radiohead were subject to protests at some concerts, where sections of the audience unfurled flags. On 23 April, more than 50 prominent figures, including musician, whose 2017 album was produced by Godrich, signed a petition urging Radiohead to cancel the show. Yorke told Rolling Stone he found the criticism 'extremely upsetting. [the critics] choose to, rather than engage with us personally, throw shit at us in public. It's deeply disrespectful to assume that we're either being misinformed or that we're so retarded we can't make these decisions ourselves. I thought it was patronising in the extreme.'

He felt the criticisms created 'divisive energy' rather than 'bring people together'. Godrich added that he did not 'believe in cultural boycotts.

I don't think they're positive, ever. The people you'd be denying [the music] are the people who would agree with you and don't necessarily agree with their government.' Waters responded in a public statement saying he had written to Yorke months earlier, but that Yorke had replied angrily and not replied to further correspondence. On 11 July, filmmaker wrote in the Independent that '[Radiohead's] stubborn refusal to engage with the many critics of their ill-advised concert in Tel Aviv suggests to me that they only want to hear one side – the one that supports apartheid. Radiohead need to decide if they stand with the oppressed or with the oppressor.' Yorke responded in a statement: 'Playing in a country isn't the same as endorsing the government. Music, art and academia is about crossing borders not building them, about open minds not closed ones, about shared humanity, dialogue and freedom of expression.'

The show went ahead as planned, with Yorke telling the audience: 'A lot was said about this, but in the end we played some music.' On 2 May 2017, Radiohead announced a 20th-anniversary OK Computer reissue,, comprising a remastered version of the original album, plus B-sides and three previously unreleased tracks: ', ' and '. The boxed edition contains additional artwork and notes, and an audio cassette of demos and session recordings.

The album was promoted with music videos for the three new tracks. The digital version was released on 23 June 2017, with physical editions shipping in July. Radiohead promoted the reissue with posters around the world featuring 'cryptic' messages and a teaser video featuring 'glitchy' computer graphics and lyrics from 'Climbing Up the Walls'. OK Computer OKNOTOK 1997 2017 topped the UK charts in the week of release, boosted by Radiohead's televised Glastonbury performance that week. On 20 August 2017, Yorke and Jonny Greenwood performed a benefit concert in, Italy, to raise money following the. Radiohead collaborated with the film composer to record a new version of the King of Limbs track 'Bloom' for the nature documentary series. The new track, '(ocean) Bloom', features new vocals by Yorke recorded alongside the.

In October, Radiohead were nominated for the, the first time they have been eligible since their debut release 25 years prior. In the same month, Selway released his third solo work, the soundtrack to the film Let Me Go. Radiohead will tour South America in April 2018. Style and songwriting. 'Modified bear' logo for Kid A by artists and Tchock (Thom Yorke) Radiohead have maintained a close relationship with a number of frequent collaborators.

Producer made his name with Radiohead, working as an audio engineer on The Bends and as their producer on every studio album since. He has been dubbed the 'sixth member' of the band, in an allusion to being called the '. In 2016, Godrich said of the collaboration: 'I can only ever have one band like Radiohead who I've worked with for this many years. That's a very deep and profound relationship.

The Beatles could only have ever had one George Martin; they couldn't have switched producers halfway through their career. All that work, trust, and knowledge of each other would have been thrown out of the window and they'd have to start again.' Graphic artist met Yorke when both were art students, and with Yorke has produced all of Radiohead's album covers and visual artwork since 1994. Donwood works in the studio with the band as they record, allowing the music to influence the artwork. He and Yorke won a in 2002 for the special edition of Amnesiac packaged as a library book. Dilly Gent has been responsible for commissioning all Radiohead music videos since OK Computer, working with the band to find a director for each project. Since Radiohead's formation, Andi Watson has been their lighting and stage director, designing the visuals of live concerts, such as the ' forest' of the In Rainbows tour.

Technician Peter 'Plank' Clements has worked with Radiohead since before The Bends, overseeing the setup of their instruments for studio recordings and live performances. Drummer Clive Deamer has performed and recorded with Radiohead since 2011. Band members • – bass guitar, keyboards, percussion • – guitar, keyboards,,, • – guitar, backing vocals, samples, percussion • – drums, percussion, backing vocals • – lead vocals, guitar, keyboards, piano Additional live members • – drums, percussion, backing vocals (2011–present) Awards and nominations.

• Doheny, James. Radiohead: Back to Save the Universe. • Forbes, Brandon W. And Reisch, George A. • Hale, Jonathan. Radiohead: From a Great Height.

• Johnstone, Nick. Radiohead: An Illustrated Biography. • Letts, Marianne Tatom. Radiohead and the Resistant Concept Album. • Paytress, Mark. Radiohead: The Complete Guide to their Music. • Tate, Joseph (ed).

The Music and Art of Radiohead. External links Wikimedia Commons has media related to. • • discography at • at Curlie (based on ).